Submitted by Suraya Dewing on Wednesday 8 February 2017
One of the mistakes some writers make is to slip into telling the reader everything that’s going on in sweeping generalisations. A reader won't see what a writer is visualising until the writer describes the scene, character or action. Until then it is a blank.
All any reader can ever see is what the writer allows him or her to see and the only way the reader can do this is if the writer takes the time to describe it.
Submitted by Suraya Dewing on Friday 6 January 2017
The Story Mint has just published its first Anthology of collaboratively written short stories. There are twelve stories written by 32 authors from eight countries. It is an amazing achievement and it is a world first.
We learnt a great deal from this experiment. However, it was so successful we intend to repeat it.
Submitted by Ray Stone on Thursday 22 December 2016
Submitted by Suraya Dewing on Thursday 8 December 2016
We have just released Everyone Has a Story, which is a set of short stories created from The Story Mint’s earliest serials. There are 12 stories, written by 32 authors from 8 countries and, as Kalli Deschamps says in her review, “The serials are well written with a beginning, middle and ending; complete as though written by one author.”
Submitted by Suraya Dewing on Wednesday 2 November 2016
As writers we mix our experiences, associations and stories in a unique way. No-one else will tell a story like each of us does even if it is on the same topic.
Submitted by Suraya Dewing on Friday 7 October 2016
While we were at the Melbourne Writers Festival I attended a session chaired by a successful Melbourne independent bookseller. He had two publishers, Henry Rosenbloom, founder of Scribe Publishers and still in business after 40 years, and Louise Ryan, Penguin Publishers on the panel. As can be expected they were asked what publishers look for in a manuscript. Both had the same answer. That answer made me sit bolt upright.
Submitted by Ray Stone on Thursday 22 September 2016
Submitted by Ray Stone on Tuesday 13 September 2016
ORDER, ORDER, exclaimed the Leader of The House
Originating in the 15th century, the exclamation point meant ‘Mark of Admiration.’ This has to be one of the most confusing and overused tools of grammar and for me, a ‘Mark of Frustration.’
Submitted by Bruce Howat on Wednesday 31 August 2016
Life is a privilege many take for granted. Experiences shape, inspire, emotionally move and motivate and this was what happened when we attended the Alan Missen Oration delivered by Philippe Sands, Professor of Law, QC, author and intellectual, at the Melbourne Writers Festival.
Submitted by Suraya Dewing on Tuesday 26 July 2016
Why do writing experts always advise us to use the writing principle of show don’t tell?
I find that when I am reading a writer who uses show don’t tell I am absorbed and fully engaged with the story. Those stories are the ones I cannot put down.
The reason for this is the language is cinematic and active sentences prevail. There is more detail and description. I am not simply told something happened I am shown what happened and I am part of the action as a reader. Love that feeling.